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In The Heights | 
 enlarge | Creators: Lin-manuel Miranda, In The Heights Pit Orchestra, Andrea Burns, Christopher Jackson, Eliseo Roman, Janet Dacal, Juan Carlos Gomez, Karen Olivo, Mandy Gonzalez, Olga Merediz, Priscilla Lopez, Robin De Jesus, Seth Stewart
Label: Ghostlight
Category: Music
List Price: $21.98
Buy New: $12.53
You Save: $9.45 (43%)
New (36) Used (11) Collectible (3) from $12.53
Rating:  39 reviews
Format: Cast Recording
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 4.9 x 0.7
MPN: 84428
UPC: 791558442823
EAN: 0791558442823
ASIN: B0016CGNZM
Release Date: June 3, 2008
Availability: Usually ships in 1-2 business days
Condition: All products brand new and factory sealed.
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| Tracks:
Disc 1
| • | In The Heights | | • | Breathe | | • | Benny's Dispatch | | • | It Won't Be Long Now | | • | Inutil | | • | No Me Diga | | • | 96,000 | | • | Pacienca Y Fe (patience and faith) | | • | When You're Home | | • | Piragua | | • | The Club | | • | Blackout |
Disc 2
| • | Sunrise | | • | Hundreds of Stories | | • | Enough | | • | Carnaval Del Barrio | | • | Atencion | | • | Alabanza | | • | Everything I Know | | • | Piragua (Reprise) | | • | Champagne | | • | When The Sun Goes Down | | • | Finale |
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| Editorial Reviews:
Album Description
Get ready to experience an exhilarating journey into one of Manhattan's most vibrant communities, named "BEST MUSICAL OF THE YEAR" by NewYork Magazine and "BEST OF 2007" by The New York Times. With an amazing cast, incredible dancing and a gripping story of hope and self discovery, In The Heights is your ticket into a world where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music. Find out what it takes to make a living, what it costs to have a dream, and what it means to be home...In The Heights.
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| Customer Reviews: Read 34 more reviews...
 "Heights" Aims High and Reaches Higher November 18, 2008
Music Man (Boston MA)
This tantalizingly brisk recording of the Tony award winning musical is both a hybrid and an amalgamation of two so seemingly disparate musical styles that it would have seemed inconceivable that such an achievement was possible. Purists of either camp, be it latino/rap/hip-hop or traditional musical theater, may squirm at "In the Heights" as an abomination when it is actually doing what inventive commercial music always does: challenges, entices, broadens and ultimately invites a new audience in. While not a blockbuster in the vein of "RENT", "In the Heights" actually has a more successful and clever score than even that seminal piece. Composer-lyricist-actor Lin-Manuel Miranda has seemingly come out of nowhere fully formed as both an insprired artist and a very skilled craftsman in the art of composing. His work here represents both a cutural perspective and a grasp of the musical theater idiom within which he has chosen to express his idea, yet he does not do this in a clumsy or preachy manner. In fact, his work is so seemless as to be breathtaking. Songs such as "Piragua", "Blackout" and the title piece are so galvanizing they practically jump out at you, while the gentle, earthier moments in "Alabanza", "Everything I Know" and "When the Sun Goes Down" are heartbreakingly poignant. It's cliche at this point to site Sondheim as an influence, yet it's unavoidable in the character-driven songs of "In the Heights" or in the masterful way in which Miranda lays contrapuntal lines across his most comlex pieces. Still, that is not to say this is a forbidding or cold musical. Miranda is too smart and exuberant for that and he knows his actors need to be allowed to come alive.
And do they ever. Out of nowhere comes one of the most exciting ensembles in memory. Miranda himself is a disarming lead, but the rest of the cast really grab their moments and make the most of them. Olga Merediz, Robin De Jesus and Karen Olivo are all exceptional and sing their souls out, but there is really no one here who is less than marvelous. The recording is crisp and clear, orchestrations are flavorful, evocative and exhilirating and the overall impact is stunning. This is not your mother's Broadway musical. So be it. Times change.
Great way to shop and save money October 17, 2008
Albert Levy (New York City)
My title says it all. Quality mdse and getting a better price. I have many things here that I would love to sell but I am not that savy of what is going on. I need to find someonr who can help me. I will one day
 Latino Music Hits Broadway in a Huge way! October 6, 2008
Bruce Lauton (NJ)
very exciting score. Blends Latino and Rap in a very stylized and unigue way. It is exciting to listen to and makes you desire to see it on the satge!
In the Heights of my musical theatre favourites.. October 4, 2008
Ariel Jimenez Leon (Mexico)
I haven't seen this musical until today, but my sister recommend me this CD, I bought it and I never thought it could become one of my favourite soundtracks of a musical. The music is amazing, Lin Miranda has a tremendous talent composing every single letter of this play.
The latin influence in the music make it different, happy, fresh and enjoyable. 96,000 is one of my favourite songs as well as Blackout, but I think the best song is Sunrise!!!
You won't regret buying this CD. Highly recommended!!!
A Breath of Fresh Air September 15, 2008
dramadude 186 (Grayson, Georgia United States)
2 out of 2 found this review helpful
I have to admit to being a bit cynical about the future of the Broadway musical. The Great White Way has become increasingly dominated by revivals, gimmicky star casting, and uninspired musicals based on movies that seemingly came out last year.
But "In the Heights" has renewed my faith in musical theatre's future. Here is a show that tells an original tale (hooray!) about a group of Latinos living in Washington Heights as they struggle to find their "home" in the world. Firstly, I applaud the show for helping to diversify the musical theatre scene. Secondly, it has been a long time since I have seen a show so singularly committed to a central theme (this theme being "home"), which I think lends "In the Heights" a cohesion other new works lack.
The Tony-winning score on this recording manages to be fresh and pop-influenced without being repetitive. Each song furthers the plot or character developement (a must in modern musicals), while the Latino flair and modern setting allow for sounds not often heard in the theatre. There's also some excellent dance music interspersed throughout.
The young and energetic cast performs these songs expertly, lead by composer Lin-Manuel Miranda as the rapping narrator/protagonist Usnavi. Miranda's raps (and indeed, his lyrics for the entire show) are sophisticated and clever while remaining authentic to the characters and situations, and he performs them admirably.
But he leaves the heavy vocal lifting to a trio of very talented women: Mandy Gonzalez, Karen Olivo, and Olga Merediz. As college drop-out Nina, Gonzalez has the most singing, which she handles well despite some strain heard in the upper range of her belt. Olivo - who plays Vanessa, a woman who desperately wants out of Washington Heights - has the best voice of the bunch, which is showcased especially well in the descant she sings during "96,000" and "Alabanza." And as Abuelo Claudia, the neighborhood matriarch, Merediz absolutely nails her showstopping "Paciencia y Fe," which is easily the best track on the CD.
From beginning to end, "In the Heights" is an entertaining show that manages to get you involved with the characters and their struggles without seeming heavy-handed or forced. Although "Spring Awakening" seems to be this decade's "Rent," I believe "In the Heights" will do the most to get younger and more diverse audiences into the theatre. It's honest and heartfelt message speaks to everyone.
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